Art for Grade 9
1 Introduction to Art
1-1 Definition and Scope of Art
1-2 Importance of Art in Society
1-3 Historical Development of Art
2 Elements of Art
2-1 Line
2-1 1 Types of Lines
2-1 2 Use of Lines in Art
2-2 Shape
2-2 1 Geometric Shapes
2-2 2 Organic Shapes
2-3 Form
2-3 1 Two-Dimensional Forms
2-3 2 Three-Dimensional Forms
2-4 Space
2-4 1 Positive Space
2-4 2 Negative Space
2-5 Texture
2-5 1 Visual Texture
2-5 2 Actual Texture
2-6 Color
2-6 1 Color Theory
2-6 2 Color Mixing
2-6 3 Color Schemes
3 Principles of Design
3-1 Balance
3-1 1 Symmetrical Balance
3-1 2 Asymmetrical Balance
3-2 Contrast
3-2 1 Color Contrast
3-2 2 Shape Contrast
3-3 Emphasis
3-3 1 Focal Point
3-3 2 Use of Color and Line for Emphasis
3-4 Movement
3-4 1 Visual Pathways
3-4 2 Use of Lines and Shapes for Movement
3-5 Pattern
3-5 1 Geometric Patterns
3-5 2 Organic Patterns
3-6 Unity
3-6 1 Use of Elements for Unity
3-6 2 Harmonic Relationships
4 Art Techniques
4-1 Drawing
4-1 1 Pencil Drawing
4-1 2 Charcoal Drawing
4-2 Painting
4-2 1 Watercolor Painting
4-2 2 Acrylic Painting
4-3 Sculpture
4-3 1 Clay Sculpture
4-3 2 Wire Sculpture
4-4 Printmaking
4-4 1 Linocut
4-4 2 Monotype
4-5 Mixed Media
4-5 1 Collage
4-5 2 Assemblage
5 Art History
5-1 Ancient Art
5-1 1 Egyptian Art
5-1 2 Greek Art
5-2 Medieval Art
5-2 1 Romanesque Art
5-2 2 Gothic Art
5-3 Renaissance Art
5-3 1 Italian Renaissance
5-3 2 Northern Renaissance
5-4 Modern Art
5-4 1 Impressionism
5-4 2 Cubism
6 Art Criticism and Appreciation
6-1 Analyzing Artworks
6-1 1 Formal Analysis
6-1 2 Contextual Analysis
6-2 Writing Art Critiques
6-2 1 Structure of an Art Critique
6-2 2 Evaluating Artworks
6-3 Art Appreciation
6-3 1 Understanding Artistic Intent
6-3 2 Personal Response to Art
7 Art and Technology
7-1 Digital Art
7-1 1 Digital Drawing
7-1 2 Digital Painting
7-2 Photography
7-2 1 Basic Photography Techniques
7-2 2 Digital Photography
7-3 Animation
7-3 1 Traditional Animation
7-3 2 Digital Animation
8 Art Projects
8-1 Individual Projects
8-1 1 Theme-Based Projects
8-1 2 Medium-Specific Projects
8-2 Group Projects
8-2 1 Collaborative Artworks
8-2 2 Community Art Projects
9 Final Assessment
9-1 Portfolio Review
9-1 1 Selection of Works
9-1 2 Presentation of Portfolio
9-2 Written Examination
9-2 1 Multiple-Choice Questions
9-2 2 Short Answer Questions
9-3 Practical Examination
9-3 1 Artistic Demonstration
9-3 2 Critique of Own Work
2.5.2 Actual Texture Explained

2.5.2 Actual Texture Explained

Key Concepts Related to Actual Texture

Actual texture refers to the physical surface quality of an object that can be felt by touch. It is an essential element in art, providing a tactile dimension that enhances the viewer's experience. Understanding actual texture involves recognizing its properties and how it can be used to convey different moods and messages.

Properties of Actual Texture

Actual texture can be categorized into several properties:

Examples of Actual Texture in Art

Consider the work of sculptor Auguste Rodin, particularly his piece "The Thinker." The actual texture of the bronze used in the sculpture gives the figure a rough, weathered appearance, suggesting the passage of time and the weight of deep thought. The tactile quality of the bronze enhances the viewer's connection to the piece, making it feel more real and tangible.

In painting, the use of impasto technique, where thick layers of paint are applied to the canvas, creates an actual texture that can be felt. Vincent van Gogh's "Starry Night" is a notable example. The thick, swirling brushstrokes not only add visual interest but also provide a tactile experience, making the painting feel dynamic and alive.

Analogies to Understand Actual Texture

Think of actual texture as the difference between reading a story and feeling the pages of a book. While the story itself is the content, the feel of the paper, whether smooth or rough, adds an additional layer of sensory experience. Similarly, in art, the actual texture of a surface can enhance the emotional and sensory impact of the piece.

Another analogy is the difference between a digital photograph and a hand-drawn sketch. While both can capture the same image, the actual texture of the sketch, with its pencil marks and paper grain, provides a more intimate and personal connection to the artwork.