2-1 1 Major Scales

Key Concepts

1. Intervals in Major Scales

A major scale is built using a specific pattern of intervals: whole step (W), whole step, half step (H), whole step, whole step, whole step, and half step. This pattern can be represented as W-W-H-W-W-W-H.

2. Constructing Major Scales

To construct a major scale, start on any note and apply the W-W-H-W-W-W-H pattern. For example, starting on C, the intervals would be:

• C to D: Whole step
• D to E: Whole step
• E to F: Half step
• F to G: Whole step
• G to A: Whole step
• A to B: Whole step
• B to C: Half step

This results in the C major scale: C, D, E, F, G, A, B, C.

3. 2-1 1 Pattern in Major Scales

The 2-1 1 pattern refers to the number of sharps or flats in a major scale. For example, the G major scale has one sharp (F#), the D major scale has two sharps (F# and C#), and the A major scale has three sharps (F#, C#, and G#). This pattern helps in identifying the key signature of a major scale.

Examples and Analogies

Intervals in Major Scales

Think of the intervals in a major scale as steps on a staircase. Each whole step is a large step, and each half step is a small step. Following the W-W-H-W-W-W-H pattern ensures you climb the staircase correctly.

Constructing Major Scales

Imagine you are building a bridge. Each note in the major scale is a support beam. By following the W-W-H-W-W-W-H pattern, you ensure the bridge is stable and strong.

2-1 1 Pattern in Major Scales

Consider the 2-1 1 pattern as a recipe. Each major scale has a specific number of sharps or flats, just like a recipe has specific ingredients. For example, the G major scale recipe calls for one sharp, while the D major scale recipe calls for two sharps.