Music for Grade 7
1 **Musicianship**
1-1 Sight-reading
1-2 Aural tests
1-3 General musicianship
2 **Performance**
2-1 Solo performance
2-1 1 One piece from List A
2-1 2 One piece from List B
2-1 3 One piece from List C
2-2 Ensemble performance
2-2 1 One piece from List A
2-2 2 One piece from List B
2-2 3 One piece from List C
3 **Theory of Music**
3-1 Harmony
3-1 1 Chord construction
3-1 2 Chord progressions
3-1 3 Cadences
3-2 Counterpoint
3-2 1 Two-part writing
3-2 2 Three-part writing
3-3 Form and Structure
3-3 1 Binary form
3-3 2 Ternary form
3-3 3 Rondo form
3-4 Analysis
3-4 1 Analyze a piece from List A
3-4 2 Analyze a piece from List B
3-4 3 Analyze a piece from List C
4 **History of Music**
4-1 Baroque Period
4-1 1 Key composers
4-1 2 Characteristics
4-1 3 Representative works
4-2 Classical Period
4-2 1 Key composers
4-2 2 Characteristics
4-2 3 Representative works
4-3 Romantic Period
4-3 1 Key composers
4-3 2 Characteristics
4-3 3 Representative works
4-4 Twentieth Century
4-4 1 Key composers
4-4 2 Characteristics
4-4 3 Representative works
5 **Composition**
5-1 Composition task
5-1 1 Compose a piece in a specified form
5-1 2 Compose a piece using given guidelines
5-2 Analysis of own composition
5-2 1 Discuss the form and structure
5-2 2 Discuss the use of harmony and melody
6 **Improvisation**
6-1 Improvisation task
6-1 1 Improvise a short piece in a given style
6-1 2 Improvise a piece using given chords
6-2 Analysis of improvisation
6-2 1 Discuss the use of scales and modes
6-2 2 Discuss the use of rhythm and dynamics
7 **Technology in Music**
7-1 Use of music technology
7-1 1 Recording techniques
7-1 2 Digital audio workstations (DAWs)
7-2 Music production
7-2 1 Mixing and mastering
7-2 2 Sound design
8 **Recital**
8-1 Preparation for recital
8-1 1 Repertoire selection
8-1 2 Practice and rehearsal techniques
8-2 Performance of recital
8-2 1 Solo performance
8-2 2 Ensemble performance
9 **Professional Development**
9-1 Career planning
9-1 1 Setting goals
9-1 2 Networking
9-2 Marketing oneself as a musician
9-2 1 Creating a portfolio
9-2 2 Social media presence
10 **Ethics in Music**
10-1 Copyright and intellectual property
10-1 1 Understanding copyright laws
10-1 2 Ethical use of music
10-2 Professional conduct
10-2 1 Respect for colleagues
10-2 2 Ethical behavior in performance
1-2 Aural Tests Explained

1-2 Aural Tests Explained

Aural tests are an essential part of music education, particularly for Grade 7 students. These tests assess your ability to listen to and interpret musical elements accurately. Understanding the key concepts and practicing them regularly will help you excel in these tests.

Key Concepts

1. Interval Recognition

Intervals are the distance between two notes. In aural tests, you may be asked to identify intervals such as major 3rds, perfect 5ths, or minor 6ths. To recognize intervals, practice singing or playing them on an instrument. For example, the interval between C and E is a major 3rd, while the interval between C and G is a perfect 5th.

2. Rhythm Perception

Rhythm perception involves recognizing and reproducing rhythmic patterns. You may be asked to clap or tap rhythms you hear. To improve this skill, practice clapping simple and complex rhythms, and try to identify the beat and subdivisions within the rhythm. For instance, a rhythm like "ta-ta-ti-ti" can be broken down into two main beats with subdivisions.

3. Melodic Contour

Melodic contour refers to the shape of a melody, whether it rises, falls, or stays level. In aural tests, you might be asked to describe the contour of a melody you hear. To understand this, listen carefully to the direction of the notes. For example, a melody that starts low and rises to a high note before descending has an upward-then-downward contour.

4. Harmonic Recognition

Harmonic recognition involves identifying chords and their progressions. You may be asked to name chords such as major, minor, or dominant 7ths. Practice by playing chords on a keyboard or guitar and listening to their sound. For example, a C major chord consists of the notes C, E, and G, while a C minor chord consists of C, Eb, and G.

5. Tempo and Dynamics

Tempo refers to the speed of the music, while dynamics refer to the volume. In aural tests, you might be asked to identify changes in tempo or dynamics. To practice, listen to pieces with varying tempos and dynamics, and try to describe how they change. For instance, a piece might start softly (piano) and gradually get louder (crescendo) before returning to soft (diminuendo).

Examples and Analogies

To better understand interval recognition, think of intervals as steps on a ladder. Each step represents a different interval, and the higher you climb, the larger the interval. For rhythm perception, imagine a rhythm as a series of footsteps. Each step corresponds to a beat, and the pattern of steps creates the rhythm.

Melodic contour can be visualized as a line graph. The x-axis represents time, and the y-axis represents pitch. The line's shape shows whether the melody is going up, down, or staying level. Harmonic recognition is like recognizing different voices in a choir. Each chord has a unique sound, just as each voice has a unique timbre.

Tempo and dynamics can be compared to a car's speed and volume. The tempo is how fast the car is moving, while the dynamics are how loud the engine is running. Changes in tempo and dynamics are like accelerating or decelerating and increasing or decreasing the volume.

By mastering these key concepts and practicing regularly, you will be well-prepared for your Grade 7 aural tests. Remember, listening is a skill that improves with practice, so keep your ears open and enjoy the process of learning music through sound.