Music for Grade 7
1 **Musicianship**
1-1 Sight-reading
1-2 Aural tests
1-3 General musicianship
2 **Performance**
2-1 Solo performance
2-1 1 One piece from List A
2-1 2 One piece from List B
2-1 3 One piece from List C
2-2 Ensemble performance
2-2 1 One piece from List A
2-2 2 One piece from List B
2-2 3 One piece from List C
3 **Theory of Music**
3-1 Harmony
3-1 1 Chord construction
3-1 2 Chord progressions
3-1 3 Cadences
3-2 Counterpoint
3-2 1 Two-part writing
3-2 2 Three-part writing
3-3 Form and Structure
3-3 1 Binary form
3-3 2 Ternary form
3-3 3 Rondo form
3-4 Analysis
3-4 1 Analyze a piece from List A
3-4 2 Analyze a piece from List B
3-4 3 Analyze a piece from List C
4 **History of Music**
4-1 Baroque Period
4-1 1 Key composers
4-1 2 Characteristics
4-1 3 Representative works
4-2 Classical Period
4-2 1 Key composers
4-2 2 Characteristics
4-2 3 Representative works
4-3 Romantic Period
4-3 1 Key composers
4-3 2 Characteristics
4-3 3 Representative works
4-4 Twentieth Century
4-4 1 Key composers
4-4 2 Characteristics
4-4 3 Representative works
5 **Composition**
5-1 Composition task
5-1 1 Compose a piece in a specified form
5-1 2 Compose a piece using given guidelines
5-2 Analysis of own composition
5-2 1 Discuss the form and structure
5-2 2 Discuss the use of harmony and melody
6 **Improvisation**
6-1 Improvisation task
6-1 1 Improvise a short piece in a given style
6-1 2 Improvise a piece using given chords
6-2 Analysis of improvisation
6-2 1 Discuss the use of scales and modes
6-2 2 Discuss the use of rhythm and dynamics
7 **Technology in Music**
7-1 Use of music technology
7-1 1 Recording techniques
7-1 2 Digital audio workstations (DAWs)
7-2 Music production
7-2 1 Mixing and mastering
7-2 2 Sound design
8 **Recital**
8-1 Preparation for recital
8-1 1 Repertoire selection
8-1 2 Practice and rehearsal techniques
8-2 Performance of recital
8-2 1 Solo performance
8-2 2 Ensemble performance
9 **Professional Development**
9-1 Career planning
9-1 1 Setting goals
9-1 2 Networking
9-2 Marketing oneself as a musician
9-2 1 Creating a portfolio
9-2 2 Social media presence
10 **Ethics in Music**
10-1 Copyright and intellectual property
10-1 1 Understanding copyright laws
10-1 2 Ethical use of music
10-2 Professional conduct
10-2 1 Respect for colleagues
10-2 2 Ethical behavior in performance
5 Composition Explained

5 Composition Explained

Key Concepts

  1. Theme and Variation
  2. Binary Form
  3. Ternary Form
  4. Rondo Form
  5. Sonata-Allegro Form

Theme and Variation

Theme and Variation is a compositional technique where a primary theme is introduced and then altered in various ways throughout the piece. Each variation maintains the original theme's basic轮廓 while introducing new elements such as rhythm, harmony, or texture.

Example: In Bach's "Goldberg Variations," the theme is a simple aria, and each variation transforms it in different ways, from simple rhythmic changes to complex counterpoint.

Binary Form

Binary Form is a two-part musical structure where each part is repeated. The first part (A) typically introduces the main theme, and the second part (B) introduces a contrasting theme. The form is often represented as AABB.

Example: In J.S. Bach's "Minuet in G Major," the piece is structured in binary form, with each part repeated to create a balanced and complete musical statement.

Ternary Form

Ternary Form is a three-part musical structure where the first part (A) introduces the main theme, the second part (B) presents a contrasting section, and the third part (A) returns to the original theme. The form is often represented asABA.

Example: In Maurice Ravel's "Boléro," the piece begins with a simple melody (A), introduces a contrasting section (B), and then returns to the original melody (A), creating a sense of closure and completeness.

Rondo Form

Rondo Form is a musical structure where a main theme (A) alternates with contrasting sections (B, C, etc.), creating a recurring pattern. The form is often represented as ABACADA or similar variations.

Example: In Wolfgang Amadeus Mozart's "Rondo Alla Turca," the main theme (A) is repeated multiple times, alternating with contrasting sections (B, C), creating a lively and engaging musical experience.

Sonata-Allegro Form

Sonata-Allegro Form is a complex structure consisting of four main sections: exposition, development, recapitulation, and coda. The exposition introduces the main themes, the development explores and transforms them, the recapitulation restates the themes, and the coda provides a conclusion.

Example: In Ludwig van Beethoven's "Sonata No. 14 in C# minor, Op. 27, No. 2" (Moonlight Sonata), the first movement is structured in sonata-allegro form, showcasing the composer's ability to develop and transform musical ideas.

Examples and Analogies

Think of Theme and Variation as a series of different outfits for the same character, each outfit highlighting a different aspect of the character's personality. Binary Form is like a story with a beginning and an end, each part providing a complete narrative arc.

Ternary Form can be compared to a journey where you start at home (A), explore a new place (B), and then return home (A). Rondo Form is like a dance where the main theme is the lead dancer, and the contrasting sections are the supporting dancers, each taking turns to shine.

Sonata-Allegro Form is akin to a complex plot in a novel, with exposition setting the scene, development exploring the characters and conflicts, recapitulation bringing the story back to its roots, and coda providing a satisfying conclusion.